Lights, Camera, Action!

July 21, 2012

by: Bruce Yeany

Micro LEDs and Motion

The tiny LED lights  known as Rave lights have become popular with students at dances and parties.   With the  lights turned down, kids have these lights on their hands or in gloves, and the results are totally awesome when they wave their hands around,.  Watching this phenomenon takes me back to the era of the disco ball and laser light shows.  It became apparent to me that these little lights would be fantastic when incorporated into the study of motion. Using these lights and a digital camera, it would be fairly easy to record the motion of moving objects for closer study.  Rolling, spinning , swinging, falling, projectile motion, etc. can all be captured using a camera and these little lights.

Can you figure out how these were done?

Here are some pictures I have taken over the past year.  Almost all were taken using these small lights.  In some cases the shutter was only open for a fraction of a second and in others it may have been open for several seconds.  Many of the following pictures were made using a laser pointer.

This picture depicts fire being thrown by a small trebuchet.

And of course, it’s also fun to try and write messages….. one small problem is that they appear backwards to the camera.

Bruce Yeany has been teaching physical science in the Annville-Cleona School district for the last 35 years.  He enjoys working with students and  building materials for his classroom.  Over the years he designed several  pieces of classroom science equipment that are produced and sold commercially including the World’s Simplest Motor and the Fountain Connection.   Bruce is also an amateur photographer as is his wife, Mary.  As the middle school yearbook adviser, he is quite used to having a camera around his classroom.  By combining his  hobby in photography and looking for new ways to demonstrate the motion of objects, Bruce has found that using small LED lights and a digital camera can help him freeze the movement of motion and turn it into works of art.


Two Prisms – Four Demos

November 26, 2011

by: Martin Sagendorf

Most everyone knows that an equilateral prism will refract white light into its constituent colors: a spectrum ranging from red to violet.  But, if one uses an additional prism, there’s much more to be discovered.

All that’s required:

-       a source of white light

-       a slit mounted on a large piece of cardboard

-       two equilateral prisms

-       two small pieces of card stock

-       a square of ground glass.

SIMPLE REFRACTION

The light source and slit are arranged as shown.  A fairly narrow (1/4”) color spectrum will be displayed on the ground glass.  Note that the light beams are DIVERGENT.

DOUBLE REFRACTION

The color spectrum from one prism is now passed through a second prism.  The various color beams are further spread to result in a somewhat wider (5/16”) spectrum display on the ground glass.  The light beams are even further DIVERGENT.

A SINGLE COLOR EXPERIMENT

Isaac Newton wondered if any single color of a spectrum could be further broken into more colors.  To investigate this, he placed ‘STOPS’ in the light beams between the two prisms – allowing only one color to pass to the second prism.  The result was that once white light was broken down into its constituent colors, the colors could not be further broken down.  Here only one STOP is used – leaving only red, with a small fringe of blue.

RECOMBINING SPECTRUM COLORS

Isaac Newton also wondered if the colors of the spectrum could be recombined to again make white light.  To do this he used a second prism arranged as shown.  He proved that this was possible.  What’s interesting is that the light beams exiting the second prism are not on the same line, but they are PARALLEL.  And, because the slit is not infinitely narrow, these beams are not infinitely narrow and therefore can mix to create white light.

THE COMPONENTS

  • A 100 Watt halogen bulb provides a good light source.  It must be shielded because the room light should be a low-level to see the spectrums on the ground glass.  As shown, a box top is used – a fully enclosed bulb would be better, but there must be provision for removing the heat generated (about 90 Watts for a 100 Watt bulb).  Experiment to find a slit width that works well for your set-up.

  • Two razor blades (single or double-edged) spaced with their edges about 1/32” apart make a good slit.  Tape the blades over a one inch by ¼ inch cutout in a piece of cardboard.  And be sure to use black tape to cover any openings in the blades.
  • Two equilateral prisms.
  • Two 3” x 3” square pieces of thin cardboard to act as STOPS.
  • A 2” x 2” or 3” x 3” piece of ground glass or frosted vellum paper.  Ground glass is easily made using automobile engine valve lapping compound – place some compound between two pieces of ordinary window glass and rub them together.  Only one side should be frosted.  The sharp edges and corners of the glass pieces can be ‘broken’ with fine sandpaper wrapped around a small piece of wood.

NOTES:

A standard tungsten filament light bulb will not work as well as a halogen bulb – the halogen provides a much better spectrum.  Rotate the bulb to obtain the highest illumination of the slit.

The STOPS can be hand-held or taped to small blocks of wood.  In either case, the vertical edges that block the light must be parallel to the color lines so only one color is passed.

The ground glass can be taped to a small piece of wood – in this case, the vertical dimension should be increased to 3”.

It is important that the heights (the centerlines) of the bulb filament and the slit be the same.  And since the bulb’s filament will be four or five inches above the bench top, some large books or other flat objects can be stacked so the vertical center of the optical components match the center height of the slit.

The distances shown in the illustrations work well.  The distances to the ground glass can be increased for larger images, but with subsequent decreases of image intensity.  Obviously, a darker room will allow easier viewing of fainter spectrums.  As shown in this photo:

The spectrums shown are slightly curved because the prisms’ faces are very slightly curved.

IN SUMMARY

These are great demos in that they not only illustrate some fundamental properties of light, but that they also provide for many variations of the set-up.  The distances and angles shown provide a starting point for experimentation.  For example, increasing the distances will enlarge the spectrum display – but, which works best to do this?

IN THE CLASSROOM

These experiments can be done as a demo for the class as a whole, but even better, since the components are so inexpensive, several set-ups can be provided for lab groups of three or four students.  Equally fun for the instructor is the creation of the lab worksheet guiding the students through the investigations.

Marty Sagendorf is a retired physicist and teacher; he is a firm believer in the value of hands-on experiences when learning physics.  He authored the book Physics Demonstration Apparatus.  This amazing book is available from Educational Innovations – it includes ideas and construction details for the creation and use of a wide spectrum of awe-inspiring physics demonstrations and laboratory equipment.  Included are 49 detailed sections describing hands-on apparatus illustrating mechanical, electrical, acoustical, thermal, optical, gravitational, and magnetic topics.  This book also includes sections on tips and hints, materials sources, and reproducible labels.


Mixing Light Colors

September 24, 2010

By: Martin Sagendorf

We see hundreds of colors, but the colors we think we see are often not what we’re actually seeing – i.e. many of these colors are combinations of other colors.  ‘Light’s Story’ is fascinating and full of surprises.  It begins with knowing that radiating and re-radiating substances emit light.  The light colors emitted are functions of a number of factors: the substance, or the incident light, or the temperature of an incandescent source.

All the textbooks explain ‘additive’ and ‘subtractive’ colors.  Explanations are fine, but actual experience makes both an immediate impression and a very lasting learning experience.  For example, here’s how only RED, GREEN, and BLUE light colors combine to produce two new unexpected colors.

But we’re getting ahead of ourselves… let’s start with something we’re really familiar with: pigment colors.  We all know that mixing different paint (pigment) colors will produce new colors.  For example, when we mix red and green pigments we ‘see’ brown. And, as everyone knows, mixing a wide range of pigment colors will produce the ‘color’ we see as black.  But, odd things happen when we mix two light colors.  We don’t get the same color that we obtained when we mixed pigments.

When we mix red and green light colors we don’t ‘see’ brown: we see yellow!  How can this be?  Then… even though it does appear even more counter-intuitive, the mixing of all light colors produces the color we ‘see’ as white (but has NO color? – white… or does it?).

Wow!

How can this be discrepancy be explained?  It’s a wonderful combination of physics and biology.

Briefly:

Physics explains the radiation, absorption & re-radiation of light energy.  Every material (element or combinations thereof), when suitably excited, re-emits specific wavelengths (colors) of light, and it can also re-radiate (and absorb) wavelengths we can’t see – like Infrared.  Also, a highly ‘excited’ material radiates light as a function of its thermal activity (as measured by its temperature).

Biology explains how our eyes interpret various combinations of light colors.  Our eyes combine light of differing wavelengths to produce colors we perceive as ‘new’ colors.  As above, when our eyes simultaneously receive light of both red and green wavelengths, we ‘see’ yellow.  Fortunately, it’s rather easy to perform wonderful demonstrations of light’s behavior in both light realms.

Pigment Demonstrations:

Using varied choices of paint, mix assorted combinations of (pigment) colors to ‘see’ the resulting colors.  Then mix only red, green and blue pigments… What color is achieved? – a sort of black?  Not unexpected, but remember, these are reflective elements.  They are absorbing and (selectively) re-radiating (or maybe not) specific colors (wavelengths of light).  In this case, this combination of pigments absorbs virtually all the (visible) colors, thus we ‘see’ almost nothing.  And when we have a yellow surface illuminated by white light, it is actually a surface that is absorbing the blue wavelengths and re-radiating only the red and green wavelengths of the incident white light – which we then ‘see’ as yellow.

Light Demonstrations:

Using multiple light sources, or a single source that provides a selection of individual light colors, mix – red, green, and blue light colors… What color is obtained? –white?  Remember, computer monitors and TV screens have only red, green and blue light – emitting elements – To make a white ‘color’ all three elements are energized.  And to make black, no color elements are energized.

A single light source incorporating three light beams, each with selectable filters, and two mirrors is very flexible and very convenient to use.

This light source is relatively easy to construct:  The design is detailed in the book Physics Demonstration Apparatus: the ‘Three Port Light Source’.  It incorporates a 100 Watt Halogen light bulb within a large cookie tin having three 1-1/8 inch diameter light exit openings (each located at the height of the bulb’s filament and spaced 90 degrees apart), a four inch box fan and, outside each opening, six selectable ‘color paddles’.  Two external mirrors are used to direct the two side light beams towards the projection screen.

The fan is very necessary because the ‘visible light’ efficiency of an incandescent bulb is only about 10% – the remainder of the bulb’s energy output (roughly 90 Watts) is Infrared (heat) which must be removed from the unit.  The fan maintains the unit’s top plate at a temperature just warm to the touch.

The fan serves to draw air from below the unit, up through the bulb chamber, and outwards under the lower of the top plates.

In addition to simply ‘mixing’ two or three colors, a variety of objects can be placed between the Three Port Light Source and the projection screen – often producing quite unexpected light color patterns.  The large dimensions of this demonstration allows the placing of students’ hands within in the light paths to provide very dynamic interactions between students and a real physics experience.

Hundreds of students have experienced the wonders of this apparatus.  Without exception, their reactions have been ones of pure amazement and a better appreciation of the wonders of light.

Guidelines for building the Three Port Light Source are detailed in the book Physics Demonstration Apparatus.  This amazing book is available through Educational Innovations and includes ideas and construction details, including all equipment necessary, for the creation and use of a wide spectrum of awe inspiring physics demonstrations and laboratory equipment.  Included are 48 detailed sections describing hands-on apparatus illustrating mechanical, electrical, acoustical, thermal, optical, gravitational, and magnetic topics.  This book also includes sections on tips and hints, materials sources, and reproducible labels.


Making Optics Demos Easier

May 20, 2010

by:  Martin Sagendorf

We’ve all likely encountered the time-consuming effort required to set up an optics demonstration; all the necessary components are on hand, but they don’t easily work together.  The difficulty is obvious: the various components are either ‘loose’ or mounted at differing heights.  Thus: wasted and frustrating time ‘shimming’ with books and pads to match the heights of the components.

The solution is simple: choose a height (above bench top) and mount every optical component at the same (optical centerline) height.  But, how does one choose a height?  Simple: first, determine the optical component with the highest centerline then second, build supports for all the other components – matching this centerline height.

I began with a 100 Watt clear light bulb mounted upon a wooden base – the center of the filament was 4-3/4” above the bench top.  I then ensured that everything else I had, or planned to incorporate in demos, could be centered at this height.

The supports shown in the following illustrations are of ¾” pine – either screwed or glued together.  Where required, various combinations of rubber feet and jackscrews provide support and positioning capability.  When applicable, stacks of steel washers are incorporated to add stability.

Mirrors (three or four) are frequently required for light and laser reflection demos.  Standard mirror material can be used, but first-surface mirrors are better. Two jackscrews are incorporated to provide positioning of the light’s reflected beam.

Both right angle and equilateral prisms are much easier to use when mounted.  Three screws provide fine adjustment of the exit light path.

Mounted lenses are clamped, or attached to, a vertical board extending from the base.  When the lens centerline is accurately located there is no need for adjusting screws.

Unmounted lenses are held with lens clips attached to a base.  The adjusting screws are very useful with this construction.

An adjustable-width slit is easily made with two single-edge razor blades.

Laser pointers and LED flashlights are wonderful, and inexpensive, light sources.  Both are very convenient to use once suitably mounted.

Many demonstrations require a projection screen.  Two of the smaller size are often required – especially for reflection/refraction demos.

Similar optical component mountings are easily designed and fabricated to mount any optical component – e.g. filters, gratings, and special prism types.

Additional information and many applications of these optical mounting devices are detailed and illustrated in the book Physics Demonstration Apparatus.

Marty Sagendorf is the author of the book Physics Demonstration Apparatus. This amazing book is available through Educational Innovations and includes ideas and construction details, including all equipment necessary, for the creation and use of a wide spectrum of awe inspiring physics demonstrations and laboratory equipment.  Included are 48 detailed sections describing hands-on apparatus illustrating mechanical, electrical, acoustical, thermal, optical, gravitational, and magnetic topics.  This book also includes sections on tips and hints, materials sources, and reproducible labels.


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